when the presence of a vapour pervades
the dust does not rise
though dew refuses to settle
i am not going to see
accounts of absence
that you have marked
in the register of refrain
i am now praying
Kaali, let me be the vapour
curiosity, concern, compassion and collaboration
when the presence of a vapour pervades
the dust does not rise
though dew refuses to settle
i am not going to see
accounts of absence
that you have marked
in the register of refrain
i am now praying
Kaali, let me be the vapour
you did not listen to me, but painted the wall of my house
with all kinds of designs that i still see
and rejoice their beauty
but are they really beautiful at all
when they masked all the fickle minded salutations
that i got while walking to that temple
where we had prayed,
now the wall has to be whitewashed,
let us get the brush and ladder together,
lest an earthquake occurs and does away with the need of repainting
jab annuson ki baarish bhi na thanda kar saki dil,
itni aag lagi thi, kabse lagi thi,
to ek jwalamukhi poochhaney laga
kya is tarah koi aag thandi hui hai, jitna tadpogey,
utni yeh aur sulagi hai,
kya karta, chup chap baarish thami, aur hawa chali
kuchh badal bikhrey aur kuchh ghul gayey kaaley aakash mein
lekin kuchh baar baar mujhey sapno mein nazar aatey hain,
thoda dhamkatey hain, aur phir muhn maud aagey bad jaatey hain
the ripples of red sun
which drowned in a white lake
seeking to get close to its own reflection;
whispers of eastern winds
while wading through clumps of bamboo
deluding itself that rustling sound was its echo
when the silence was engulfed in an intrigue
to retain the cloak of subtlety or speak out
why did it chose to just whisper its disapproval
the banks of a river were worn out
did not matter how often the waves swept over them
but then one day that river swallowed the banks to become a lake
kho jaayen kahin ek baar phir se,
wo nagmey jinmey dard ka sur sila tha
kisee jakhm ko siya tha,
aur kisee jakhm ko
baar baar udharney ka niyam pata tha
tumney muhn maud liya hai, kabhi kabhi
merey hothon ko phatney diya
sard hawon mein bhari hai, ek yaad hari hari
kyun merey aansuo ko nahin piya
thak jata hun kabhi kabhi
aur phir likhney lagta hun
ek kahani
un dino ki
jab kisee sufi ke kabra par hamney mannatey maangi thi
kisee ki khushi ke liye
taaki
wo khushian
hameny ek dossarey se door kardey
lekin in dooriyon mein hi to sachhi aas chhupi hai
jiski parchhayi meri aur teri aaknon me baasi hai
why do not you aspire to evaporate
when i have been destined to
why cant i be the air
you breathe
why cant i be aroma
which makes every devotee of Kaali mad
why can not i be the dust which
you need to plaster the path
on which your loved one will walk
tum kahin door jao
aur phir wapis mat aao
keh ke mujhey usney wida kiya
kisee kasam se nahin bandha
kisee apeksha ka teer nahin saadha
lekin mein aaj bhi bandha hun
un niayamon se
jinhey tumney banaya hai
koi lehar jab chahey mujhey upar uchhal sakti hai
aur jab chahey duba sakti hai
leheron key
seeney mein darad na ban jaun
is lieye samundra ne taya kiya hai
mujhey doobaney nahin diya jaayey, aur bas isee tarah
taraju ki tarah hawa se
bandh tairaney diya jayey
ek bina mastool ki naav ki tarah
khuley samundra mein
when journey is just a means
of being there, we do not have to reach any where
we can not
chained as we are some times
to the lamp posts
but then we are allowed to walk
a little aorund the light
whenever it is dark
chasing the shadows
of the light
within
the dissonance between what is and ought to be
stems as much from what we think the perimeters of ought are today
as from what you consider of relevance
a missed meeting one day may matter more
than all the hours, days and months we spent together
the length of moments is not measured by what we did or did not then
but what we remember of those moments
why do we remember only what pains us,
why are all the pleasant laughters forgotten,